潘琳烨 首饰设计 本预

The instinct of an artist is to find the beauty in life and pass it to the audience in his own way.

I prefer to use found objects as my materials to make narrative jewelleries. I like to hide a long story behind the jewellery because it gives you a view of the hidden beauty. In the work I made about the love of my grandparents, I used their photos and the red rope as the found materials. In the meantime, I also express my feelings to the audience through jewellery, from the missing to my family to the anxiety about the worsening environmental pollution in my hometown. For example, in the work I did this year, I used plastic bags, which are collected from the seaside as the material to simulate the appearance of marine creatures being entangled by plastic. This jewellery design shows the severity of Marine pollution.

The visual effect is very important to me, because it usually gives the audience a shock in the first place. To make a good visual effect, I think continuous experiment is important. My experimentation is usually casual, so I always have to use my eyes for a long time to look for something that has special significance and plenty of room for development to me. I don't like deliberate methods, like chemical etching. I enjoy the process of discovering beauty.

 

艺术家的本能是去发现生活中的美,并用自己的方式将其传递给观众。

我的方法偏向于用现成物做材料,做叙述性首饰。我喜欢用首饰包裹着长篇的故事,有一种含蓄的美。比如我做的关于我外公外婆的爱情的首饰,在这件首饰里我用了他们的照片以及红线这两个现成物。同时我也常通过首饰来向观众表达自己的感觉,小到对家人的思念,大到对环境污染加剧而产生的着急心理。比如我今年做的作品,我用海边捡来的塑料袋作为材料,模拟了海洋生物被塑料缠绕的样子,做了能传递了海洋污染严重性的首饰。

视觉效果是我很看重的,因为它通常能给观众带来第一时间的震撼。而关于怎么做出好的视觉效果,我认为都是通过不断地实践得到的。因为我的实践比较随意,我总是要用眼睛找很久,什么现成物对我有特殊意义又有很大的发展空间。我不喜欢刻意的方法,比如用化学物质腐蚀之类的。我非常享受发现美的这个过程。

 

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