黄佳琪 服装设计 硕士预科

我将自己视为以服装为载体的艺术家、传达艺术概念的服装设计师。我非常喜欢在感兴趣的领域做延伸性思考，这使得我各项目作品中充满连接性。

当我关注到产妇这个群体后，了解了产后后遗症，在深入了解产妇的心理变化后，发现他们的思维被社会性别中所扮演的社会角色所捆绑，于是我创造出了能够体验病症的服装，希望用科普的方式让大家了解这种病症。并且对这一问题我采取了反向思考——如果未来男性也能具备怀孕的能力，身体结构的变化会对其性别认知产生变化吗？基于这样的思考我创作了影像作品《繁衍》。随后，我在此项目的基础上延伸探讨对性别的普遍固有印象对人类性别认知的界定的影响，以此为灵感创作出一些列服装设计，寻找社会规范下隐藏的身体属性。

在我的另一个服装实验项目《生命-无边界》，灵感来自于JaeRhimLee的无限寿衣，我对这个项目非常感兴趣，于是我培养了关于蘑菇的雕塑，随着雕塑的自由生长，我发现了生命与身体之间的新的联结性。我想将这种状态和服装进行联系，于是我尝试将蘑菇培养转移到人台上，最后，从蘑菇菌丝生长不断和身体融合这个方向制作了我的服装项目。

I regard myself as an artist using garment as the carrier also a fashion designer who conveys the concept of art. I like to think in an extended way in the field of my interest, which makes my projects full of connectivity.

When I paid attention to the group of puerperae, I learned about postpartum sequelae. After in-depth understanding of the psychological changes of puerperae, I found that their mental status and notions were bound by their social role based on gender, so I created garments which allow people to experience the ailment, aiming to let people know this disease by means of popular science. I also tried to think about it a reverse direction – What if men have ability to give birth to a child in the future? Will the changes in body structure also change their gender identity? Based on this thinking, I created the video named ‘Reproduction’. Based on this project, I extended the discussion to how the universal inherent impression of gender influences the people’s gender cognition, and I created project inspired by this, looking for the hidden physical attributes under social norms.

The other experiment project "Life without Boundaries" was inspired by JaeRhimLee's project called ‘infinite longevity garment’. I was very interested in this project, so I tried to cultivate mushroom sculptures on mannequins. Observing the growth process of the sculpture, I was inspired to transfer this state to garment. Finally, I created this project imitated the continuous growth of mushroom mycelium and their integration with human body.