周楠楠 纯艺术 本科预科

我一直觉得影像是一种非常神奇的媒介，我们的眼睛每天都在大量的观看与现实非常接近，但又不是现实本身的照片，不断地在思考各种各样的事情。受日本“私摄影”的影响，我一直想发明一种能让人看得见的语言。我喜欢在无意识的拍摄状态，“让自己的行动（身体）走在意识（头脑）之前”。直面“混沌”的人类世界原本的样子。在我的作品《火·山灿》（Blooming Star）当中我想去表现私密性，即青春期成长阶段的困惑，矛盾以及内心与外部世界的联系，我希望重新灌输一纯真的理念来观察我们的身体。

我经常会问自己，那我自己是否在照片里呢？对我来说，我的影像是我潜意识在现实世界的显影。在我的作品《但我知道那是什么》（But I Know What It Is）和《我知道你的心跳有多厉害》（I Know How Furiously Your Heart Is Beating）我对世界的，对自身的提问，也有我对于对世界，对自身的态度。我拍出来的影像，是我在寻找地迫切想保留的知觉，我只想它们是真实的就好，让图像成为纯粹的“投影”。

I have always felt that images are a very magical medium. Our eyes are constantly looking at visual information that is very close to reality but not reality itself, at the same time we are constantly thinking about various things. Influenced by Japanese "private photography", I have always wanted to invent a language that is visible to people. I like to do unconsciousness shooting to reflect on "letting my action (body) go before my consciousness (mind)". To confront the "chaos" of the human world as it is. In my work “Blooming Star”（火·山灿）, I wanted to express the intimacy which includes the confusion, the contradictions of adolescence, and the connection between the inner and the outer world. I tried to re-instil the idea of an innocent way of looking at our bodies.

I often ask myself, am I in the picture? My images are a manifestation of my subconscious in the real world. In my works “But I Know What It Is”（“但我知道那是什么”） and “I Know How Furiously Your Heart Is Beating”（“我知道你的心跳有多厉害”）, I quest about the world, myself, and my attitude to them. My images are what my perception is desperate to keep; I want them to be real. Let the image be a pure "projection".