高名妍 首饰设计 本科预科

我是一个相当敏感且好奇的人，我热衷于探索事物的细节与本质。而我的每一个项目，都会尝试进行跨学科和跨领域的探索，希望可以拓展首饰定义的边界。

《被子之神》这件作品源自于我对被子的异常迷恋。当我对一件物的情感达到了异于常态的状态，物变成了主宰者——神，而我则变为了物的附属品。这件作品，阐述我将作品神化的一个过程。

当失控的情绪占据了一个人的心，零星的掌控感也能成为救赎。《良药？》来自我曾经情绪失控时通过控制电子产品来缓解焦虑的一段经历。在这个项目中，我探索了一种名为鲁米诺的发光试剂，并利用它的发光反应来 表现电子屏幕的光。在设计中使用了医疗器械作为主要的承载材料，借用点滴以及鼻饲管的形式，表现出我从前对电子设备的依恋,和实际上被电子产品掌控的状态。

I am the kind of person who is always sensitive and curious about the world, and more than that, I am anxious to explore the details and essences of things.

I attempted to explore the boundary of jewellery so I always try to develop my topic with a multi-disciplinary approach.

The work of “God of Quite” derives from my abnormal infatuation with my quiet. In my opinion, when my feeling for an object reaches a state which is far away from normal, and then the object became my master—my God. And I became the accessory of the object. This project described a process in which I deified my quiet.

When the emotional distress conquers my heart, a sense of control can even become redemption of me. “Therapy?” comes from an experience that I used to relieve anxiety by controlling electronic products when I was out of control.

In this project, I use luminous reaction to express the light of the electronic screen. The medical device is used as the main material of the piece. The lumine reagent flows down through the infusion tube around my body, which represents my previous attachment to electronic devices, and the state that I am actually controlled by electronic products.