冯韵青 室内设计 本科预科

我认为作为一个好的设计师，不应该局限于自己的专业领域，在这个全球化的时代我们更应该走在专业融合的前沿。因此，我在构思作品时，总是受到服装，材料和不同设计领域美学风格的影响。比如在《临时展厅》中，为品牌建立快闪店，它是展示品牌风格和产品的临时场所。因此在这个项目中，使用可回收的材料，以免展馆拆除后对环境造成污染。我选择了钢丝作为结构，它轻便灵活，可以模仿布料的褶皱。铁丝网的缝隙可以让光线穿过，这接近我想象的半透明室内照明。在钢丝网的外层，我用融化的蜡铸造不同的纹理。蜡干后会形成不同的纹理。钢丝网外部浇铸的蜡可以控制室内的采光，蜡的厚度控制室内光线的强度，在阳光下可以形成不同的阴影。建筑形态很轻盈，大部分是圆形的。这个项目的最终模型不是一个工程模型，更像是一个雕塑模型。我想让这个模型看起来很轻，所以我使用了很多弯曲的元素，而内部空间我想要明亮的感觉，所以即使外面包裹着蜡，它仍然可以让阳光进来

I think that as good designers, we should not be limited to our own professional field. In this era of globalization, we should be at the forefront of professional integration. Therefore, when I conceive my work, I am always influenced by the clothing, materials, and aesthetics of different design fields. For example, in "TEMPORARY PAVILION", a pop-up store is established for the brand, which is a temporary place to display the brand's style and products. Therefore, in this project, I use recyclable materials to avoid pollution to the environment after the pavilion is dismantled. I chose steel wire for the structure, which is light and flexible and mimics the folds of fabric. The gaps in the barbed wire allow light to pass through, which is close to what I imagine translucent interior lighting to be. On the outer layer of the wire mesh, I cast different textures with melted wax. Different textures develop as the wax dries. The wax cast on the outside of the steel mesh can control the lighting in the room, the thickness of the wax controls the intensity of the light in the room and can form different shadows in the sun. The building form is light and mostly circular. The final model of this project is not an engineering model, more like a sculptural model. I wanted this model to look light, so I used a lot of curved elements, and the interior space I wanted to feel bright, so even though the outside was wrapped in wax, it would still let the sunlight in.