徐贝怡 首饰设计

徐贝怡的首饰主要探究生活中一些细微之处，利用观察和感悟去重塑人们对一件事物的固有理解，带领观者重新审视和思考被人云亦云的观念。在作品《离异家庭标签》和《情绪脏话》中都有所体现。探讨的观点虽并非和主流价值背道而驰，却往往是被大众所忽略的层面。它们同样具有被讨论的价值；以《情绪脏话》为例，为了体现脏话的积极影响，作品采用脏话纹样的泡泡棒，以及吹泡泡的形式，引发观者的愉悦感，从而切实的体会到作品主旨。

首饰和人的接触非常紧密，体量相对其它艺术形式而言较小，非常适合表达个人生活中的琐碎之处，作品《时间的毁灭性》中就运用了该观点。该作品灵感源于一条贮存已久的项链，借首饰的形式讲述了一段随着时间悄然逝去的友谊。

首饰的创作出发点与运用到的材料都可以是个人的，但好的作品给观者带来的感受应该是共通的。

Xu Beiyi’s jewellery is mainly explore trifling matters in daily, utilizing her own observations and interpretations to remold people’s inherent thinking on particular things, leading audiences to review and reflect conventional perspectives.

It has reflected on work <The label of divorced family> and <Cathartic swearing>.  The key content expressed not to overthrow mainstream values, they are just hinting to remind the aspects that you ignored. Those trifling matters which people don’t see the value in are worth discussing as well. For example, in order to display the positive of bad language, the work has adopted the bubble sticks with swearwords and the form of blowing, which can bring a sense of pleasure and give straight feeling to audiences in <Cathartic swearing>.

In addition, the contact between jewellery and people is closely, and the volume of jewellery is relatively small compared with other art forms. Therefore, jewellery is fairly suitable to express personal trifles, the work <time’s destruction> has applied this point of view. It is inspired by a necklace that has been stored for a long time, which is a gift from an old friend. Through jewellery I have told about a friendship disappeared with time passing.

The start points of jewellery creation and materials used can be personal, but the feelings of good works to viewers should be mutual.