陈亭羽 视觉传达 本预

视觉传达对于陈亭羽来说，意义并不复杂。她并不擅长用文字表达自己，相对而言视觉传达就重要了许多。她希望通过视觉传达来告诉人们自己心里想说的话。

最后一个作品《Unreachable》。它表达的是现在人们对于疫情期间谣言的信服性。陈亭羽用疫情周报很好的嘲讽了人们轻易相信谣言的现象。她明白作品就像是她的嘴巴或者手，为她叙述了心里的思想。她希望自己的作品可以简单明了的让人们明白其中的奥妙。在作品《洞穴中的囚犯》中，非常深刻的大道理，变成了让人们一眼就能看懂的图画书。柏拉图那些复杂的学说好像也不那么难懂了。

她的作品能让人们觉得一切事情都是简单的，或许这就是视觉传达的意义。大家都能一眼看明白的作品，不晦涩的作品，才是合格的作品。这也是陈亭羽的目标和未来的理想。

Visual communication is not complicated for Chen Tingyu. She is not good at expressing herself in words. Relatively speaking, visual communication is much more important. She wants to tell the masses what she wants to say through visual communication.

In the last work is <Unreachable>, which expresses people's belief in rumors during the epidemic. Chen Tingyu used epidemic weekly newspaper to ridicule the phenomenon that people easily believe the rumor. She also understood that the work was like her mouth or hand are telling her mind. She hopes that her works can be simple and clear to let people understand the mystery. The very profound truth in the novel <Prince in the Cave> has become a picture book that people can understand at a glance, so Plato's complex theories seem to be less difficult to understand. 

As far as her works are concerned, it can make people feel that everything is simple, which may be the meaning of visual communication. The works that everyone can see clearly and not obscure are qualified works.