王晨儒 服装设计 本科预科

我的奶奶是裁缝，因此我在成长过程中接触到了服装设计，并在高中时作为我的职业发展目标。除了制作服装，我更希望可以在材料上做出创新。

在《女巫娃娃》中，我以梦为灵感结合梅兰妮 马丁内兹（Melanie Martinez）的音乐电影《K-12》中即甜美又古怪的风格去展示社会对于女性的物化与霸凌。我尝试了使用非常规材料去展现部分服装，例如:假发，眼睛，牙齿，粘土等等。最后我设计制作完成两套成衣。成衣的拍摄选择一个“复古”的别墅中的置景，来比如社会对女性的固有印象与看不见的禁锢枷锁。

在作品《码头咖啡》中，以冰岛退休渔民的悠闲慢生活憧憬为灵感。在发展中提取了自然悬挂的渔网、警示浮标、报纸、咖啡、冰岛五颜六色的房子等元素，结合编织、印染、硅胶等多种材料工艺进行面料改造，体现出退休渔闲散的惬意生活。

《亚特兰蒂斯》是我在Youtube上巧然看见的世界传说迷团，我带着对这个神秘又未知的古国的好奇展开了调研。在仅有的一些信息中我提取了被摧毁的国都、海啸、希腊神话、磁欧石等元素，结合3D打印和立裁去展现亚特兰蒂斯在海啸袭卷后的悲凉景象。

我希望我的设计可以用多种工艺结合特殊材料带给人们服装的全新体验，不用过多的解释也能理解服装想展现的含义。

My grandmother was a seamstress, so I was exposed to fashion design growing up, which became my career goal in high school. In addition to creating clothes, I aspire to be creative with materials.

In <Witch Doll>, I drew inspiration from dreams to illustrate the objectification and bullying of women in society. I combined this concept with the sweet and eccentric style of Melanie Martinez's musical film "K-12". To showcase the costumes, I experimented with unconventional materials; such as wigs, eyes, teeth, and clay. Additionally, I designed and produced two ready-to-wear outfits. For the photoshoot, I chose a 'vintage' villa setting to portray the stereotypical image of women and the invisible chains of confinement.

In the work <Dock Coffee>, I found inspiration in the leisurely and slow life of retired fishermen in Iceland. I incorporated elements like naturally hanging fishing nets, warning buoys, newspapers, coffee, and colourful houses in Iceland. These elements were developed and combined with various material processes such as weaving, printing and dyeing, and silicone for fabric transformation, reflecting the leisurely and relaxed life of retired fishermen.

<Atlantis> is a world-legendary mystery that I coincidentally saw on the oil tube, and I started my research with curiosity about this mysterious and unknown ancient country. From the only information available, I extracted elements such as the destroyed capital, tsunami, Greek mythology, and magnetic ore, combined with 3D printing and vertical cutting to show the sad scene of Atlantis after the tsunami hit.

I hope that my designs can offer people a new clothing experience by combining a variety of techniques combined with special materials. I aim to convey the intended meaning of the clothing without relying heavily on explanations.