魏梓萱 服装设计 本科预科

 时尚是具有包容性的产业，其独特的魅力在于我们可以使用不一样的方式表达对于社会问题的观点。

《派对之后》这个项目的灵感來自我的日常生活。当下，有许多Z世代的年轻人有着很强的社交属性但是内心却是孤独的。高频的社交让她们无法获得知心朋友，聚会灯光下的笑脸在人群散去后就会迅速变得失落。只有她们自己知道自己的孤独。刺激的聚会就像烟和酒，产生短暂的麻痹，散场后的孤独感更胜以前。在作品中，我希望通过聚会的热闹和聚会后的垃圾的对比，来表达出年轻人在聚会中和散场后内心的反差，让更多人注意到外向孤独患者这个群体。《母亲的肚子》灵感：和母親在水上樂園玩樂的过程，让我回忆起儿时与她一起玩水的记忆。第一次玩水上项目时，母親鼓勵我給予我勇氣，她环抱着我和我一起冲下水上滑梯，让我感受到了强烈的安全感。母亲的保护和水的包容性让我聯想到了母親的肚子和生命孕育的过程。我希望通过这个作品表达对母亲的感激，唤起更多人对女性的关爱。《新冠万圣节》灵感来源于我的三年防疫生活，在新冠中人们对于疫情防控的看法和印象，发现在疫情的过度防控中，人们对防疫的印象及心理的转变。 调研到1918和2019年发生的疫情，人们进行的过度防疫行为进行对比。

对我来说时尚，艺术创造和日常生活是密不可分的，生活是一段充满探索、不断学习和不断进步的旅程。

Fashion is an inclusive industry, and its unique charm lies in the ability to express our opinions about social phenomena in various ways.

The <AFTER PARTY> project was inspired by my daily life. Currently, many Gen Z-ers are highly social but often feel lonely. Frequent socializing prevents them from forming close friendships, and the smiling faces seen under party lights quickly fade away once the crowd disperses. Only they know how lonely they truly are. Exciting parties, like cigarettes and alcohol, provide temporary distractions, leaving them feeling even more isolated than before. Through this work, I aim to portray the contrast between the inner feelings of young people during parties and the aftermath of those parties by juxtaposing the liveliness of the events with the discarded remnants. My goal is to draw more attention to this group of extroverted yet lonely individuals.

The inspiration for <MOTHER'S BELLY> came from playing with my mother at a water park, which brought back memories of our childhood playtime together. The first time I engaged in water activities, my mother encouraged and supported me, giving me the courage to participate. She embraced me and slid down the water slide with me, creating a strong sense of security. The protection of a mother and the inclusive nature of water reminded me of the safe and nurturing environment within a mother's womb and the miracle of life itself. Through this work, I aim to express my gratitude to my mother and raise awareness and concern for women.

<Covid-19 Halloween> was inspired by my three-year experience of living through the pandemic. During COVID-19, people's perceptions and attitudes towards epidemic prevention and control have undergone significant changes. We have observed that excessive measures for prevention and control have influenced people's impressions and brought about psychological transformations. By examining the epidemics of 1918 and 2019, we can compare people's preparedness and response to these crises.

For me, fashion, artistic creation, and daily life are intertwined. Life is a journey of exploration, continuous learning, and ongoing progress.